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“I Looked Up To Y’all”, Queer Artist Plane Jaymes Accuses Yo Gotti of Homophobia

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Two days ago a queer rapper name Plane Jaymes dropped a slideshow posted on Instagram which shows him with rapper Yo Gotti and others in his entourage. This post was brought to my attention earlier today by queer rapper Zé Taylor when he made a post that said, “this makes me so sad.”

Plane Jaymes shared a heartfelt message about his experience when he was apart of Yo Gotti’s record label Collective Music Group.

Here’s what the post in its entirety said,

” YoGotti You said you believed in me and wanted to help me change ppls lives for the better. Up until you & keonn55 found out I had a boyfriend. I looked up to y’all. I gained a lot of experience from being with y’all and I’m forever greatful for that. But the fact that me being gay is why y’all no longer wanted me apart of the team is honestly fucked up. I took these pics down cause keon told me to just so y’all could be “comfortable” Y’all won’t put my music out but I’m still stuck in that contract I signed w #CMG which says y’all own the rights to pretty much all my publishing & everything I do unless y’all terminate that contract. Can’t reach y’all thru phone/email & that ain’t been working for over 2yrs so if I’m “canceled/ shelved” & not family like y’all said I was, all because I’m gay then what’s the deal. Tired of struggling all because of who I chose to love. And if this is how it’s gonna be I’ma just have to chalk putting out music period.”

This is a common trope when it comes to heterosexuals liking queer art but don’t want queer or trans representation associated with it. Although this story is on a whole different extreme this story is similar to the situation with Big Freedia where they had to reach out to Drake to be included in his most recent music video where they’re only shown for 5 seconds although Drake used Freedia’s vocals in his music.

Plane Jaymes recently did an interview with DJ Booth where he aired more of his dirty laundry with his dealings with Yo Gotti and the backlash from his being dropped from his label because they found out he had a boyfriend. In the interview, Plane Jaymes describes his humble beginnings from when he was trying to get signed as a starting artist, but Gotti got a hold of his demo and decided to fly him and his management team out to Miami.

Things seemed to have heated up after his “friend” who knew about his attraction to guys outed him to his management team. Eventually, word of James sexuality reached Collective Music Group Vice President Keon who pressured James into taking down the pictures that he reposted so there wouldn’t be any controversy surrounding their label being affiliated with him.

Collective Music Group just forgot all about James and left him in the dark dazed and confused. From the interview, he said, “I wasn’t trying to fuck they shit up, and I was new to this shit about myself, so maybe I should have just fought back? Well, I offered to take it down, he said take it down, and it just ended at that point. I didn’t really hear from nobody at that point. No contracts were sent my way that disclosed termination.”

Till this day Plane Jaymes is legally under contract with Collective Music Group however they won’t release his music to get airtime or promotions and they have severed all times with the artist completely. No one can make music with him because he’s still under contract with them.

He doesn’t have any hard feelings towards Gotti or anyone else affiliated with his record label and all he wants to do is get released from his contract so he can create his own music for his benefit and become a voice for those who feel like they’re too afraid to be true to themselves.

On another post, he posted on Instagram of him and his boyfriend the comment section is filled with homophobic rhetoric after James shared his story of what happened between him and CMG.

 

What would you have done in this situation if you were a queer artist trying to make it in this world?

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Dating With HIV

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THE INHERENT OPPRESSION IN WHITE QUEER SPACES

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The views expressed here are those of the author and do not necessarily represent or reflect the views of KingofReads.com

 

If you’ve read any of my writing previously, or understand how I feel about intersectionality, then you are fully aware that I am getting ready to wage war on the Midtown-Moon, previously Burkhart’s, in Atlanta, GA.

Snuggled in one of the whitest areas of Atlanta, I was at first apprehensive about traveling to this predominantly White Queer Space, as the privilege in these spaces is often insurmountable. However, because I was reassured by my Black Queer brothers, I decided to step out of my comfort zone and practice the very thing that I preach: cultural immersion. 

To give you an idea of the types of folx that venture here:

Let’s get back to why I proclaim that these White Queer spaces are indeed insurmountable: language, language, language.

For some ridiculously odd reason, White gay men love to make the most insensitive, racist, xenophobic, transphobic comments all in the name of a gotdamn joke. Do I look like a fucking joke to you? And do you know what the most unfortunate part about this is?

Come closer…closer…

BLACK QUEER PEOPLE STILL WILLINGLY TRAVEL TO THESE SPACES AND ALLOW THEM TO PERPETUATE THESE IDEOLOGIES!

Moving right along. We walk inside Midtown-Moon and we’re greeted by a seemingly friendly karaoke host. His energy was great and kept the attention of someone like myself who honestly, doesn’t do well with large group outings. Cool.

It is important to note that while this is a predominantly White Queer venue, they sometimes cater (notice I used the word “cater”) to “People of Color (POC),” not Black people.

Let’s observe the quotation around POC. This simply means folx that they love the brown and black people who help them perpetuate the xenophobic, privileged, and internalized oppression all in the name of color. It’s like a false ass “kumbaya” moment.

On this particular Tuesday Karaoke night, about 67-70% of the patrons were visibly of color, mostly Black (get into it).

We’re moving right along with karaoke and on comes “1000 miles” by Vanessa Carlton. We all know this song! This excitement is now thrown out of the window because the overly obnoxious host decides to scream,

Oh bitch! You chose the whitest song ever! This is White privilege right here!

Immediately, I’m slightly disgusted. I’ll get back into why this comment is literally vermin.

After he rants, and rants, and screams these same sentiments almost throughout the ENTIRE song, the poor patron singing takes his exit.

Next on the list is “Bye, Bye, Bye” by none other than NSYNC. Our Xenophobic host was partnering with an individual by the last name of Sanchez. Here is the next rant:

Bitch! Immigration! Immigration! Somebody find Sanchez! Immigration! Somebody call ICE!

If you are not bothered by the above statement, you need to challenge your understanding of cultural insensitivity and xenophobia and its effects.

Why did this White gay man feel as if he had the space to make “light” of experiences that he will never have. Why will he never have this experience? BECAUSE HE IS WHITE! BECAUSE HE IS WHITE! BECAUSE HE IS WHITE! BECAUSE HE IS WHITE!

People, it’s time to wake the fuck up. Some of y’all are in the period of in between snoozes. I need you to wake all the way up.

As a privileged person, especially being White, it is not your place, nor will it ever be your place to make light of oppressive situations all in the name of a fucking joke.

Language folx, creates space for thoughts. These thoughts create space for feelings. These feelings create space for perceptions. These perceptions create space for actions. Actions create the space for marginalizing people, wrongfully incarcerating them at alarming rates, allowing environments to not have clean water for years, allowing the homeless to freeze to death, allowing a seventeen-year-old’s murderer to walk free, the abrogation of DACA, the slaying of young immigrant children, and the shutdown of a government to build a gotdamn wall that literally has no benefit.

To you people who claim that everyone is “too sensitive,” wake your dumbass up.

To the Black people and other POC who uphold these ideologies, wake your dumbass up.

To the people who are offended by me insulting your disregard for human life, wake your dumbass up.

Sidenote: As this raging xenophobe cracked his “jokes,” the rest of us just looked at him.

The Black people and the other People of Color were just there for good karaoke. That’s it.

White Queer people, if you would like for everything to be “kumbaya” and all inclusive like claim it should be, stop saying dumb shit that reinforces a divide. No, I don’t have to assimilate to oppressive bullshit.

-A Fed Up Black Queer Man

Photo citations:

https://thegavoice.com/news/atlanta/burkharts-gm-responds-owners-racist-facebook-posts-uncovered/ (this one even points out the racist owner in the article)

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Teyana Taylor Returns to IG, Releases WTP music video

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Teyana WTP

10s, 10s, 10s across the board! Teyana Taylor gave us body and brought it to the ballroom in her W.T.P. music video.

After leaving the platform because Def Jam didn’t release the video for WTP on time, Teyana is back. She returned to IG yesterday, posting a still frame from her video captioned with a touching message.

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First time I met YOU (LGBTQ/ballroom) I was 15. An age when I didn’t feel my prettiest, didn’t know who I really was ya know. I was still finding myself in this crazy world like any other normal 15 year old but it’s so crazy how before I became the woman I am today, most importantly, I was accepted with open arms by YOU. YOU made me feel so beautiful. YOU embraced my strong features, YOU embraced my big hair, YOU embraced everything about me like no other and I knew from that day on that YOU would a home for me and would forever be apart of who I would become & something I would love and forever embrace AT ALL TIMES. Stepping into the industry shortly after, I realized that a lot of people did not embrace YOU the way I did, I was confused I could not understand for the life of me why YOU wouldn’t be embraced! Why the hell was people ashamed of YOU!! My sweet 16 I had YOU part of it and it weirdly did not make the episode, I had YOU in my very first music video at age 16 that you also oddly didn’t make it in. I never understood why but it hurt me. But I never let it stop me from EMBRACING & LOVING YOU. So I continued to always remind people that this is me! This is who I am. Once I realized that them NOT embracing YOU had become a repetitive thing, I vowed to continue to represent YOU whenever to whoever!! And that one day when I am where I want to be and I have control and power I would WORK MY PUSSY unapologetically to the world with you and make sure the world see where I come from and not have to worry about ANYONE editing YOU out or being ashamed of MY HOME. YOU have taught me to embrace my sexuality, tap into my sexy, love my strong features, love my body and the list goes on and on. It’s so dope to finally do something for/with YOU that WE CONTROL UNAPOLOGETICALLY. I love YOU so much and thank you for everything. I want to thank my staff and crew, I want to thank all the icons, legends & kids for making this video magical W/O YOU no pussies would be WORKEDT!💕 and @_mykki_ thank you for ur voice and presence on WTP my love.❤️ swipe to see full caption.

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WTP is a self-directed ballroom tribute filled with cameos and references to Paris is Burning. Throughout the video, Teyana pays homage to the culture that helped her find herself. The video features queer dancers, models, and an iconic cameo from Lena Waithe. Establishing herself as the Muva of House Petunia, Teyana directed crews in New York, Atlanta, and L.A.. She even contributed to the editing and credits an all-female production company for the shoot.

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