The recent controversy surrounding these cishet black comedians from Kevin Hart not taking accountability for his homophobic tweets to DL Hughley calling a transwoman a pussy for calling him out on supporting Kevin’s Homophobic “jokes”.
It’s all “jokes” about not wanting your child to come out queer not until queer people get hurt or end up dying.
A Las Vegas couple survived an attack from two cishet black men who followed them home and ambushed them. The name of the victims in this hate crime was Charles and his boyfriend Vincent. According to the local news KVVU station the attackers, Kealan Abraham and Andre Duncan, attacked Charles and Vincent at their apartment home after they followed them from Vincent’s job.
Charles was about to open the door when he heard Vincent calling out for help as Abraham and Duncan attacked him. They called him an abomination along with other homophobic slurs and language. The attack became so violent that a glass table was knocked over and one of the attackers grabbed a shard and stabbed Vincent in his back. Charles reacted quickly and pushed him away from Vincent.
The neighbors did nothing during the attack. The police weren’t called until after the attackers drove away. The attackers broke Vincent’s ribs and punctured his lung. Charles was hit in the head with a piece a glass but the attackers left him traumatized that they would come back and attack him again.
They were both hospitalized from the attack however they’re now both out and are staying with relatives until they find a new permanent location to live.
Below are the mugshots of the attackers.
At this time Abraham and Duncan have been arrested and charged with battery with a deadly weapon, battery with use of deadly weapon result of substantial bodily harm and conspiracy to commit criminal contempt.
Charles and Vincent were both relieved after Las Vegas Metropolitan police called them to inform them that their attackers have been arrested. However they’re wondering why both of them aren’t being charge with a hate crime.
You can support Charles and Vincent on their GoFundMe page.
This is a tale of warning for cishet people who are trying to defend anyone who supports homophobia. The rhetoric that you call “jokes” are literally getting people who identify within the LGBTQ spectrum attacked and killed all in the name of comedy.
Take accountability. Change your behavior. Educate yourself on marginalized issues and why we drag you when you tweet stupid stuff on social media.
Dating With HIV
THE INHERENT OPPRESSION IN WHITE QUEER SPACES
The views expressed here are those of the author and do not necessarily represent or reflect the views of KingofReads.com
If you’ve read any of my writing previously, or understand how I feel about intersectionality, then you are fully aware that I am getting ready to wage war on the Midtown-Moon, previously Burkhart’s, in Atlanta, GA.
Snuggled in one of the whitest areas of Atlanta, I was at first apprehensive about traveling to this predominantly White Queer Space, as the privilege in these spaces is often insurmountable. However, because I was reassured by my Black Queer brothers, I decided to step out of my comfort zone and practice the very thing that I preach: cultural immersion.
To give you an idea of the types of folx that venture here:
Let’s get back to why I proclaim that these White Queer spaces are indeed insurmountable: language, language, language.
For some ridiculously odd reason, White gay men love to make the most insensitive, racist, xenophobic, transphobic comments all in the name of a gotdamn joke. Do I look like a fucking joke to you? And do you know what the most unfortunate part about this is?
BLACK QUEER PEOPLE STILL WILLINGLY TRAVEL TO THESE SPACES AND ALLOW THEM TO PERPETUATE THESE IDEOLOGIES!
Moving right along. We walk inside Midtown-Moon and we’re greeted by a seemingly friendly karaoke host. His energy was great and kept the attention of someone like myself who honestly, doesn’t do well with large group outings. Cool.
It is important to note that while this is a predominantly White Queer venue, they sometimes cater (notice I used the word “cater”) to “People of Color (POC),” not Black people.
Let’s observe the quotation around POC. This simply means folx that they love the brown and black people who help them perpetuate the xenophobic, privileged, and internalized oppression all in the name of color. It’s like a false ass “kumbaya” moment.
On this particular Tuesday Karaoke night, about 67-70% of the patrons were visibly of color, mostly Black (get into it).
We’re moving right along with karaoke and on comes “1000 miles” by Vanessa Carlton. We all know this song! This excitement is now thrown out of the window because the overly obnoxious host decides to scream,
Oh bitch! You chose the whitest song ever! This is White privilege right here!
Immediately, I’m slightly disgusted. I’ll get back into why this comment is literally vermin.
After he rants, and rants, and screams these same sentiments almost throughout the ENTIRE song, the poor patron singing takes his exit.
Next on the list is “Bye, Bye, Bye” by none other than NSYNC. Our Xenophobic host was partnering with an individual by the last name of Sanchez. Here is the next rant:
Bitch! Immigration! Immigration! Somebody find Sanchez! Immigration! Somebody call ICE!
If you are not bothered by the above statement, you need to challenge your understanding of cultural insensitivity and xenophobia and its effects.
Why did this White gay man feel as if he had the space to make “light” of experiences that he will never have. Why will he never have this experience? BECAUSE HE IS WHITE! BECAUSE HE IS WHITE! BECAUSE HE IS WHITE! BECAUSE HE IS WHITE!
People, it’s time to wake the fuck up. Some of y’all are in the period of in between snoozes. I need you to wake all the way up.
As a privileged person, especially being White, it is not your place, nor will it ever be your place to make light of oppressive situations all in the name of a fucking joke.
Language folx, creates space for thoughts. These thoughts create space for feelings. These feelings create space for perceptions. These perceptions create space for actions. Actions create the space for marginalizing people, wrongfully incarcerating them at alarming rates, allowing environments to not have clean water for years, allowing the homeless to freeze to death, allowing a seventeen-year-old’s murderer to walk free, the abrogation of DACA, the slaying of young immigrant children, and the shutdown of a government to build a gotdamn wall that literally has no benefit.
To you people who claim that everyone is “too sensitive,” wake your dumbass up.
To the Black people and other POC who uphold these ideologies, wake your dumbass up.
To the people who are offended by me insulting your disregard for human life, wake your dumbass up.
Sidenote: As this raging xenophobe cracked his “jokes,” the rest of us just looked at him.
The Black people and the other People of Color were just there for good karaoke. That’s it.
White Queer people, if you would like for everything to be “kumbaya” and all inclusive like claim it should be, stop saying dumb shit that reinforces a divide. No, I don’t have to assimilate to oppressive bullshit.
-A Fed Up Black Queer Man
https://thegavoice.com/news/atlanta/burkharts-gm-responds-owners-racist-facebook-posts-uncovered/ (this one even points out the racist owner in the article)
Teyana Taylor Returns to IG, Releases WTP music video
10s, 10s, 10s across the board! Teyana Taylor gave us body and brought it to the ballroom in her W.T.P. music video.
After leaving the platform because Def Jam didn’t release the video for WTP on time, Teyana is back. She returned to IG yesterday, posting a still frame from her video captioned with a touching message.
WTP is a self-directed ballroom tribute filled with cameos and references to Paris is Burning. Throughout the video, Teyana pays homage to the culture that helped her find herself. The video features queer dancers, models, and an iconic cameo from Lena Waithe. Establishing herself as the Muva of House Petunia, Teyana directed crews in New York, Atlanta, and L.A.. She even contributed to the editing and credits an all-female production company for the shoot.
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