While appearing on The Breakfast Club to promote his new show Trigger Warning, Killer Mike got in a heated debate over public schools with DJ Envy.
The seemingly unlikely conversation on education began from a discussion on the importance of supporting each other in our communities. A sentiment we can all agree with, Killer Mike emphasized building Black and buying Black. In recent years, the rapper has promoted the purchase of stocks and real estate, along with developing financial knowledge to extend the community lifespan of Black currency. The conversation had a positive tone, but things shifted when the topic moved to education.
Black Educators Empower
Angela Yee asked Killer Mike how he navigates his children’s educations at institutions where there are hardly any Black children. Proudly, he shared they attend public school surrounded by Black students and educators. This brought Killer Mike to recall his youth.
“I went to a school named Collier Heights Elementary School. You guys can Google Collier Heights, it’s a nationally recognized neighborhood; Black people gentrified this neighborhood from poor white people. [They] sent the poor white people on out to Cobb County and Mableton. They gentrified it. Everybody lived in this neighborhood, from working class Blacks like my grandparents to Dr. [Martin Luther] King’s parents to former [Georgia House Of Representatives member] Billy McKinney. This school was a great school because rich Black people lived in my neighborhood too. So, I was afforded a great education. I then went on to Frederick Douglass High School; Frederick Douglass was the greatest abolitionist of the 19th century [and] the most photographed person of the 19th century. So essentially, I’m talking about the Barack Obama of his time”.
Killer Mike declared the pride and confidence he has comes from attending schools named from several “Black educators and emancipators”. Noting that seventy-percent of the schools in Atlanta are named for such, he said, “I don’t care if I was a C-student, I had a sense of pride that most Black children didn’t have because they were not in a circle of pride.” Like many of us experienced, his educators also attempted to rally greatness from him by using the same anecdotal cliché of an “imaginary group of White kids” that pose significant competition. He commented that the weight of it all gave him purpose and thus, prepared him for future dissension.
“So, by the time I met White children, I was an equal. You can’t tell me my skin look like poo. ‘Why y’all skin look like bird-poo? What you talkin’ ‘bout, lame?’ I was already prepared. What I wasn’t was unconfident.”
There is Value in Public Education
When it came to real estate, Killer Mike admits his first purchases were businesses. He recalled comedic legend Dick Gregory took offense to that. At the time he had not fathomed the value in establishing community centric education facilities. Hammering the importance of education, he said upon meeting the multi-faceted activist, Gregory chastised him for not taking initiative.
“I own a third of a block in Atlanta! The second block next to me was bought by five white people who didn’t even know each other, and they started a Montessori school within three months! N*gga, do something! I used to wonder to myself why is Dick Gregory so mad, he cussed me and Tip (T.I.) out the first time we met him. He said, ‘What y’all n*ggas gon’ do? March? The same sh*t we been doing for 50 years? They gon’ tell you to march, you gotta be off the street by 7 o’clock. If you ain’t out, we gon’ kill you.’ The schools seem better because we’re buying into that. Why are we not starting our own academies and supporting them? Why are we not supporting historically Black colleges and universities?’”
Redlining Internalized Prejudices
Unlike Killer Mike, Charlamagne and DJ Envy send their children to predominantly White private institutions. Believing educations from private schools are more valuable in the long run, Envy just couldn’t see the merit in attending a public institution. He noted the opportunities he received via school name recognition and choice curriculum were incredibly superior when compared to what public schools offered. Envy added while his children attend private schools, they still play sports in predominantly Black areas. Killer Mike was not impressed with DJ Envy’s rebuttal and neither am I.
Blackness = Greatness
“With all the great education you got, you turned out to be a DJ and a real estate investor.” Insisting he wasn’t reading him, Killer Mike explained they both forged careers from the investment of their talents. Still, he was perplexed why someone who admits their children have been on the receiving end of racial slurs would not opt to send them to predominantly Black institutions or HBCUs.
“Either you’re going to choose to be excellent and you’re going to do better, or you gon’ sit your chump ass down and you’re going to keep being the same sh*t over and over. But you can’t complain and say that greatness was not given to you. If you walk in a school named Frederick Douglass High School and you do not have the initiative as a parent, or as a student, to walk up and step up to that greatness, but you’ll do it at St. Pious? You’ll do it at St. Michael? Man, you’re a chump.”
Feeling attacked by the truth of Killer Mike’s statements, DJ Envy was unable to see the overall problem: What are we doing to ensure that working class children are given access to the same education and confidence as the wealthy?
There is no short supply of greatness in Black communities, but there is indeed a desert of investment. We will make no progress so long as we have public figures like DJ Envy who reinforce the dated notion that PWIs set the standard for success. Without continuing discussion and providing support for Black educators and HBCUs, we will see the importance and attendance of such institutions decline right along with the condition of public schools.
Killer Mike won, period.
The Circle on Netflix Had A Racism Problem
Bey Ain’t Slick
The opinions expressed in this publication are those of Rafael Roden.
For far too long we’ve been giving her passes and today I say enough is enough. People are literally afraid to write about this shit because of the inevitable blowback from people who worship Beyoncé like white Brits worship their actual Queen monarch. So here goes…
Beyoncé is not above criticism. That’s the first thing. I understand the stance many Black people take when another Black person casts an unflattering light on your favorite Artist or celebrity, but not all of it is hating. A lot of it is warranted. And every charge I make in this article is coming from a major fan and someone who used to wanna collaborate with the woman. Understand that I have bias, but that’s not making me not wanna hold Beyoncé accountable for her trash ass actions as of late and the precedent it sets for aspiring “bosses”. And just know she ain’t the only member of the upper echelon guilty of this shit. I’mma take shots at a few other entertainment giants, just you wait.
What set this think piece I didn’t wanna find myself writing into motion was the information stirring around that Mrs. “of course sometimes shit go down when it’s a billion dollars on an elevator” is only paying her dancers and other various performance staff $250 a day without benefits when they are performing at the highest level in the world. I’m even flattering her in my critique so please uncock your pistols. I have caught up on all the tea and these claims are supported by many of the lead performers and solidarity exists within that community. It’s hard to substantiate every last bit of wrong in this whole ordeal, but that’s the crux of the situation. Take me at my word cause there are receipts for days.
Moving back retroactively to the Shawn Carter Foundation Gala (which is where that tacky ass clutch in the picture is from) we find our favorite vocal angel arm & arm with her sell out husband Jay Z (NFL partnership, nuff said) who gave out Rolex and bottles of champagne as invitations to a room full of people worth billions of dollars who only raised $6 million. That’s just stingy. But that’s been written about enough. I just think it’s crazy who get’s in these rooms in the name of seeming to authenticly coming from nothing. Like Fabolous. You know the dude that head butt his then girlfriend and knocked her teeth out? Not Beyoncé’s fault, hell no, but why are abusers around a self proclaimed Feminist? Why are you letting your man invite him? Why did Rihanna try and normalize him at her last few events (which I find quite disgusting considering her history)? The answer is money and optics. The message comes off as “rich black men who are seen as legendary can make the mistake of domestic violence and still deserve A Seat At The Table” (see also Nas who beat Kelis). I just can’t square these conflicts of interest. I need somebody to make it make sense. Because remember, birds of a feather flock together. Beyonce blink twice if you need help. I’m fucking serious. He cheated, who knows if there’s a domestic violence story in there. I don’t put shit past no man at this point. It’s also part of the reason why I stopped identifying as such.
Read the entire piece at RafaelRoden.com
Welcome to Uncle Tom’s Haus of Koonery
So in light of the great news of President Trump getting impeached. I was sent an article from a few twitter mutuals of an interview done by Mikelle Street interviewing everyone’s favorite problematic porn star Max Konner. I knew at that moment I would not receive any peace this week. The article at hand denoted that Konner was beginning his own talent agency for people of color. I did a double-take, but I been on this earth long enough to know a stunt when I see one. In the article, Konnor mentioned the need for porn actors of color needing proper tutelage and education before entering the pornography industry. Which I do agree with, but we also know that seeing the phrasing “people of color” does not mean black people and why would Konner exclusively help his own people? He wouldn’t, but that’s been made very clear that he has no intention of helping the Black LGBTQIA+ community after his behavior during the PR nightmare which and is still NoirMale.com.
I have to be honest that I found the interview to be amazing and at minimal a cross-examination of Konner’s work history, work ethics, and very sorted and messy racially insensitive history. Konner acknowledges that there will be criteria for all those that apply to join the slaveshi-, sorry the Haus of Konner.
He says in the article:
“Right now we have three exclusives: Derek Cline, Jabari Clutch, and Asher Lee. I have a bunch of other submissions but I’m taking my time to go through everything because it is a boutique talent management company. I am not just accepting everybody that applies. I’m trying to pick models who I feel like have what it takes to make it.”
Now, what this statement could subversively say so many things. Firstly, Jabari is the only black presenting model. Derek is racially ambiguous and Asher is Asian. Even in the first stride of selection, there is only one Black person in the mix (pun intended). Secondly, “boutique talent management company” is reading as “no fats, no fem” because knowing the shortness of sight that Konner has he may only present body boys and cis actors that are racially palatable.
Mr. Street follows up with the question:
“The release says that you all are prioritizing “models of color.” Are you referencing all models of color, specifically Black models, or will it be all models with an emphasis on models of color?”
Konner responds with:
“As of right now we are looking at all models of color. I’m trying to decide if I want to have one or two models that don’t necessarily fit that because in doing this I don’t want to become the problem that I’m trying to fight. There are so many avenues and so many arenas where we as models of color are shut down or shut out because of the color of our skin, and I don’t want this to be a thing where we say: OK it’s all models of color and anyone who is not that, get out. So I’m still toying around that, but right now we are exclusively models of color.”
My thoughts are that this is basically saying that “I’m gonna have some good ole boys in the club because I don’t want massa upset with me none.” I’m just saying. Rather than doing the right and altruistic thing and doing an all-black agency. Konner is going to appease the comfort of his white fan base in spite of the fact his black fan base was there for him when he was the porn actor Isaiah Foxx. Which if anything he owes that little boy the world because Konner is fully aware and present on the issues that BLACK porn actors face and what Isaiah a black bottom porn actor felt.
The thing that is further disturbing in the article is when Konnor says this:
“I do plan to send models from Haus of Konnor over to Noir Male but one of my big things is: if I send a model to a studio there’s agreement between me and that studio that nothing that has to do with that model’s race or nothing pertaining to the “BBC experience” is what that model is participating in. I’ve been on jobs where I’ve had no clue what I’ve been working on and then the movies come out and it’s like ‘Oh god!’”
This sounds very historically familiar. So during the slave trade, the Caribbean Islands was used as a large space for sex farms for slaves and “buck breaking”.
Noted on RacistReport.org:
“These male slaves were purchase based entirely on the prerequisite of them possessing a large penis. Black men were routinely raped by their gay slave owners. The process was known as “breaking the buck.”
It involves a strapping Negro slave, who was defiant, was beaten with a whip till bloody in front of his entire slave congregation. The slave owner would cut down a tree and, with the help of the overseer, would then pummel the deviant “buck” into submission. Once the slave was worn down, the master had the other Negro slaves force him over the tree stump where his britches would be removed and he laid fully exposed buttocks, he would remove his own clothing and proceeded to savagely sodomize the buck in front his wife, family, friends, and children.”
Konnor is basically handing these gentlemen over to a problematic porn company ran by the also very racially problematic DJ Chi Chi LaRue. After the debacle with PrEP/U=U advocate, #TakedownTina activist, and now amateur porn actor Jacen Zhu. He stepped away from the company for their purposeful mishandling of race in the studio. We can not trust that Konner will have good intentions.
So let’s be clear. Is there a race issue in gay porn? Absolutely.
Should there be a space cultivated for porn actors of color to get jobs and to be treated fairly? Yes ma’am.
Should there be a space cultivated for black porn actors of color to get jobs and to be treated fairly? Yes sir!
Should Konner be the one doing it? No, not at this juncture and especially around his limited education on race.
Konnor has clearly acknowledged that there is a problem, which is good for him I guess. I just understand that there needs to be more work done to supplant footing for black LGBTQIA+ porn actors of all genders and body types and this attempt is half-cocked, lazy, and wildly remedial. He participating in the same foolish stunting that Noir Male did as well at their inception.