Feeling nostalgic, Wale requested Diddy resumes the MTV series Making the Band. But knowing Diddy’s problematic history regarding artist treatment and alleged lack of compensation, do we really need the show to return?
Harlem native Sean “Diddy” Combs got his start in the music industry in the early 90s as an intern at Uptown Records. Although he was fired from the company, Diddy went on to lay the foundation for Bad Boy Records in 1993. The label built itself on the shoulders of Biggie, securing other notable acts like 112, Mase, Total, and Faith Evans along the way. However, the untimely passing of Notorious B.I.G., following the East-West rap beef, came at an immeasurable cost. Along with losing a close friend, Diddy’s label struggled to maintain relevance. Then, came Making the Band.
Hardly remembered, the first three seasons of the series were not actually about Diddy’s unique requests and consistent studio shutdowns. It initially focused on the time-tested formula of boy bands. Looking to recreate the magical hold the Backstreet Boys or NSYNC had over our teenage years, Lou Pearlman spearheaded the first iteration of the show. Conducting a nationwide talent search, he selected 25 singers before dwindling down to the final five that would later become O-Town. The three-season run focused on the grooming of the boy band, initially signed to Transcontinental Records, their transfer to Clive Davis’ label J Records, and their subsequent split. All rising to and falling from stardom in the span of just three years, the series that birthed a boy band was pressured to continue. But how? In came Diddy.
“Bring Me Some Cheesecake”
Attempting to season the show, Making the Band 2 began airing October 2002 and suffered the same fate as it’s marshmallow version. The series focused on Diddy’s search for talented rappers and singers to form a hip-hop super group. But it all came crashing down in April 2004 by Diddy’s own hand. The first season of the new series centered on the selection process, but season 2 was where the content was. As we then laughed at the hilarious and over the top demands of his new artists, to see a man worth $820 million degrade lower class Black people for amusement now would be sick. Diddy subjected his artists to strange and arbitrary tasks, all to appease himself. As they dredged through the stop-start mud of production, Too Hot For TV, the debut album of Da Band would sell fewer than 1 million copies. Now, Da Band exists only in obscurity and memes, but that wouldn’t stop Diddy from continuing the show.
It would be fair to say Making the Band 3 was influenced by the popularity of Destiny’s Child, given the shift to creating a girl group in 2005. Diddy joined forces with Laurie Ann “Boom Kack” Gibson to form a successful group that would assume the name Danity Kane. However, problems plagued the members and were chronicled in a special titled “The Rise and Fall of Danity Kane”, which aired in 2009. As Diddy was working to form the girl group, his relationship with Cassie, who was also signed to Bad Boy, became public knowledge. He also had other artists whose careers he’d simply abandoned.
Diddy signed a rapper named Aasim in 2004, whose debut through Bad Boy was never released. He’d also picked up Yung Joc, who along with Cassie helped Bad Boy Records chart with top five singles. However, Joc only released two albums with Bad Boy before being relegated to self-released mixtapes for most of his career. In fact, Diddy has lost 47 artists over the 26 years of Bad Boy’s existence. At this moment, out of the nine acts currently signed to Bad Boy, only five of them have no familial relation. Several of the artists once signed to Bad Boy alleged that Diddy crafted contracts that made them glorified work horses, making him millions and leaving them destitute. Although he vehemently denies any wrongdoing, do we really need to risk another instance of Making the Band when Diddy has no recent history of successfully leading an artist to stardom?
At any rate, Diddy and MTV are testing the waters to see if you want your MTB. Do you want Making the Band 5?
The Circle on Netflix Had A Racism Problem
Bey Ain’t Slick
The opinions expressed in this publication are those of Rafael Roden.
For far too long we’ve been giving her passes and today I say enough is enough. People are literally afraid to write about this shit because of the inevitable blowback from people who worship Beyoncé like white Brits worship their actual Queen monarch. So here goes…
Beyoncé is not above criticism. That’s the first thing. I understand the stance many Black people take when another Black person casts an unflattering light on your favorite Artist or celebrity, but not all of it is hating. A lot of it is warranted. And every charge I make in this article is coming from a major fan and someone who used to wanna collaborate with the woman. Understand that I have bias, but that’s not making me not wanna hold Beyoncé accountable for her trash ass actions as of late and the precedent it sets for aspiring “bosses”. And just know she ain’t the only member of the upper echelon guilty of this shit. I’mma take shots at a few other entertainment giants, just you wait.
What set this think piece I didn’t wanna find myself writing into motion was the information stirring around that Mrs. “of course sometimes shit go down when it’s a billion dollars on an elevator” is only paying her dancers and other various performance staff $250 a day without benefits when they are performing at the highest level in the world. I’m even flattering her in my critique so please uncock your pistols. I have caught up on all the tea and these claims are supported by many of the lead performers and solidarity exists within that community. It’s hard to substantiate every last bit of wrong in this whole ordeal, but that’s the crux of the situation. Take me at my word cause there are receipts for days.
Moving back retroactively to the Shawn Carter Foundation Gala (which is where that tacky ass clutch in the picture is from) we find our favorite vocal angel arm & arm with her sell out husband Jay Z (NFL partnership, nuff said) who gave out Rolex and bottles of champagne as invitations to a room full of people worth billions of dollars who only raised $6 million. That’s just stingy. But that’s been written about enough. I just think it’s crazy who get’s in these rooms in the name of seeming to authenticly coming from nothing. Like Fabolous. You know the dude that head butt his then girlfriend and knocked her teeth out? Not Beyoncé’s fault, hell no, but why are abusers around a self proclaimed Feminist? Why are you letting your man invite him? Why did Rihanna try and normalize him at her last few events (which I find quite disgusting considering her history)? The answer is money and optics. The message comes off as “rich black men who are seen as legendary can make the mistake of domestic violence and still deserve A Seat At The Table” (see also Nas who beat Kelis). I just can’t square these conflicts of interest. I need somebody to make it make sense. Because remember, birds of a feather flock together. Beyonce blink twice if you need help. I’m fucking serious. He cheated, who knows if there’s a domestic violence story in there. I don’t put shit past no man at this point. It’s also part of the reason why I stopped identifying as such.
Read the entire piece at RafaelRoden.com
Welcome to Uncle Tom’s Haus of Koonery
So in light of the great news of President Trump getting impeached. I was sent an article from a few twitter mutuals of an interview done by Mikelle Street interviewing everyone’s favorite problematic porn star Max Konner. I knew at that moment I would not receive any peace this week. The article at hand denoted that Konner was beginning his own talent agency for people of color. I did a double-take, but I been on this earth long enough to know a stunt when I see one. In the article, Konnor mentioned the need for porn actors of color needing proper tutelage and education before entering the pornography industry. Which I do agree with, but we also know that seeing the phrasing “people of color” does not mean black people and why would Konner exclusively help his own people? He wouldn’t, but that’s been made very clear that he has no intention of helping the Black LGBTQIA+ community after his behavior during the PR nightmare which and is still NoirMale.com.
I have to be honest that I found the interview to be amazing and at minimal a cross-examination of Konner’s work history, work ethics, and very sorted and messy racially insensitive history. Konner acknowledges that there will be criteria for all those that apply to join the slaveshi-, sorry the Haus of Konner.
He says in the article:
“Right now we have three exclusives: Derek Cline, Jabari Clutch, and Asher Lee. I have a bunch of other submissions but I’m taking my time to go through everything because it is a boutique talent management company. I am not just accepting everybody that applies. I’m trying to pick models who I feel like have what it takes to make it.”
Now, what this statement could subversively say so many things. Firstly, Jabari is the only black presenting model. Derek is racially ambiguous and Asher is Asian. Even in the first stride of selection, there is only one Black person in the mix (pun intended). Secondly, “boutique talent management company” is reading as “no fats, no fem” because knowing the shortness of sight that Konner has he may only present body boys and cis actors that are racially palatable.
Mr. Street follows up with the question:
“The release says that you all are prioritizing “models of color.” Are you referencing all models of color, specifically Black models, or will it be all models with an emphasis on models of color?”
Konner responds with:
“As of right now we are looking at all models of color. I’m trying to decide if I want to have one or two models that don’t necessarily fit that because in doing this I don’t want to become the problem that I’m trying to fight. There are so many avenues and so many arenas where we as models of color are shut down or shut out because of the color of our skin, and I don’t want this to be a thing where we say: OK it’s all models of color and anyone who is not that, get out. So I’m still toying around that, but right now we are exclusively models of color.”
My thoughts are that this is basically saying that “I’m gonna have some good ole boys in the club because I don’t want massa upset with me none.” I’m just saying. Rather than doing the right and altruistic thing and doing an all-black agency. Konner is going to appease the comfort of his white fan base in spite of the fact his black fan base was there for him when he was the porn actor Isaiah Foxx. Which if anything he owes that little boy the world because Konner is fully aware and present on the issues that BLACK porn actors face and what Isaiah a black bottom porn actor felt.
The thing that is further disturbing in the article is when Konnor says this:
“I do plan to send models from Haus of Konnor over to Noir Male but one of my big things is: if I send a model to a studio there’s agreement between me and that studio that nothing that has to do with that model’s race or nothing pertaining to the “BBC experience” is what that model is participating in. I’ve been on jobs where I’ve had no clue what I’ve been working on and then the movies come out and it’s like ‘Oh god!’”
This sounds very historically familiar. So during the slave trade, the Caribbean Islands was used as a large space for sex farms for slaves and “buck breaking”.
Noted on RacistReport.org:
“These male slaves were purchase based entirely on the prerequisite of them possessing a large penis. Black men were routinely raped by their gay slave owners. The process was known as “breaking the buck.”
It involves a strapping Negro slave, who was defiant, was beaten with a whip till bloody in front of his entire slave congregation. The slave owner would cut down a tree and, with the help of the overseer, would then pummel the deviant “buck” into submission. Once the slave was worn down, the master had the other Negro slaves force him over the tree stump where his britches would be removed and he laid fully exposed buttocks, he would remove his own clothing and proceeded to savagely sodomize the buck in front his wife, family, friends, and children.”
Konnor is basically handing these gentlemen over to a problematic porn company ran by the also very racially problematic DJ Chi Chi LaRue. After the debacle with PrEP/U=U advocate, #TakedownTina activist, and now amateur porn actor Jacen Zhu. He stepped away from the company for their purposeful mishandling of race in the studio. We can not trust that Konner will have good intentions.
So let’s be clear. Is there a race issue in gay porn? Absolutely.
Should there be a space cultivated for porn actors of color to get jobs and to be treated fairly? Yes ma’am.
Should there be a space cultivated for black porn actors of color to get jobs and to be treated fairly? Yes sir!
Should Konner be the one doing it? No, not at this juncture and especially around his limited education on race.
Konnor has clearly acknowledged that there is a problem, which is good for him I guess. I just understand that there needs to be more work done to supplant footing for black LGBTQIA+ porn actors of all genders and body types and this attempt is half-cocked, lazy, and wildly remedial. He participating in the same foolish stunting that Noir Male did as well at their inception.
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