Feeling nostalgic, Wale requested Diddy resumes the MTV series Making the Band. But knowing Diddy’s problematic history regarding artist treatment and alleged lack of compensation, do we really need the show to return?
Harlem native Sean “Diddy” Combs got his start in the music industry in the early 90s as an intern at Uptown Records. Although he was fired from the company, Diddy went on to lay the foundation for Bad Boy Records in 1993. The label built itself on the shoulders of Biggie, securing other notable acts like 112, Mase, Total, and Faith Evans along the way. However, the untimely passing of Notorious B.I.G., following the East-West rap beef, came at an immeasurable cost. Along with losing a close friend, Diddy’s label struggled to maintain relevance. Then, came Making the Band.
Hardly remembered, the first three seasons of the series were not actually about Diddy’s unique requests and consistent studio shutdowns. It initially focused on the time-tested formula of boy bands. Looking to recreate the magical hold the Backstreet Boys or NSYNC had over our teenage years, Lou Pearlman spearheaded the first iteration of the show. Conducting a nationwide talent search, he selected 25 singers before dwindling down to the final five that would later become O-Town. The three-season run focused on the grooming of the boy band, initially signed to Transcontinental Records, their transfer to Clive Davis’ label J Records, and their subsequent split. All rising to and falling from stardom in the span of just three years, the series that birthed a boy band was pressured to continue. But how? In came Diddy.
“Bring Me Some Cheesecake”
Attempting to season the show, Making the Band 2 began airing October 2002 and suffered the same fate as it’s marshmallow version. The series focused on Diddy’s search for talented rappers and singers to form a hip-hop super group. But it all came crashing down in April 2004 by Diddy’s own hand. The first season of the new series centered on the selection process, but season 2 was where the content was. As we then laughed at the hilarious and over the top demands of his new artists, to see a man worth $820 million degrade lower class Black people for amusement now would be sick. Diddy subjected his artists to strange and arbitrary tasks, all to appease himself. As they dredged through the stop-start mud of production, Too Hot For TV, the debut album of Da Band would sell fewer than 1 million copies. Now, Da Band exists only in obscurity and memes, but that wouldn’t stop Diddy from continuing the show.
It would be fair to say Making the Band 3 was influenced by the popularity of Destiny’s Child, given the shift to creating a girl group in 2005. Diddy joined forces with Laurie Ann “Boom Kack” Gibson to form a successful group that would assume the name Danity Kane. However, problems plagued the members and were chronicled in a special titled “The Rise and Fall of Danity Kane”, which aired in 2009. As Diddy was working to form the girl group, his relationship with Cassie, who was also signed to Bad Boy, became public knowledge. He also had other artists whose careers he’d simply abandoned.
Diddy signed a rapper named Aasim in 2004, whose debut through Bad Boy was never released. He’d also picked up Yung Joc, who along with Cassie helped Bad Boy Records chart with top five singles. However, Joc only released two albums with Bad Boy before being relegated to self-released mixtapes for most of his career. In fact, Diddy has lost 47 artists over the 26 years of Bad Boy’s existence. At this moment, out of the nine acts currently signed to Bad Boy, only five of them have no familial relation. Several of the artists once signed to Bad Boy alleged that Diddy crafted contracts that made them glorified work horses, making him millions and leaving them destitute. Although he vehemently denies any wrongdoing, do we really need to risk another instance of Making the Band when Diddy has no recent history of successfully leading an artist to stardom?
At any rate, Diddy and MTV are testing the waters to see if you want your MTB. Do you want Making the Band 5?
Summer Walker & Social Anxiety
Is T.I. Ok?
Summer Walker Says We Don’t Deserve Her…And She’s Right
Summer Walker’s recent Instagram post aims to remind us all to step away from the superficiality of social media and remember we’re only human.
In an age where people exploit “Love, Light, and Positivity” through discussions involving mental health and support, toxicity toward those affected has never seemed more prevalent. Conversations regarding self-care, emotional maturity, and navigating anxiety or depression seem to flood social media in ways that both normalize and trivialize the conditions. While the public perception of mental health is changing for the better, it seems our behavior does not match.
Social media has allowed us to become more accessible to one another but over time we forget there’s a living, breathing, feeling entity on the other end. We become crass, callous, and act without regard for another individual. In that ignorance, we forget that access to each other is a privilege and not a right. For someone like Summer Walker, who has reached their limit with public criticism, denying others access is no massive effort.
“Y’all Can Have The Music & Imma Just Head Out”
Summer Walker has always been candid about mental health. During her concerts, she often pauses to address her social anxiety while encouraging others to push toward their goals. Although she’s continuing to navigate the music industry and face her challenges head on, she recently made the decision that her first tour will be her last – partly due to social media criticism. Saying, “I’ve decided y’all don’t deserve me” Walker intends to distance herself from the public’s gaze upon the conclusion of her tour.
Following immense criticism for her Tiny Desk performance and hygiene practices, Summer penned a caption on Instagram in an effort to remind people she’s “just a regular person.” Believing people’s values are skewed, Summer said public expectations of her are too high and she has no desire to be in constant competition with the world. “Everyday/everything isn’t a Miss America bad b*tch contest and I don’t feel the need to put others down to stay relevant.” Adding that people are really disconnected, she said we’re hiding behind apps, filters, clothes, and other things that distract us from who we truly are. Imploring others to apply equal effort in enhancing their spiritual appearance along with their physical, Summer exposed the lack of self-acceptance and performative empathy that has affected so many.
Girls Need Love
It’s great to place so much emphasis on the importance of mental health care and showing up for your “strong friend”. But it isn’t truly being applied when your solidarity is so visible in theory but not in practice. People who experience social anxiety are not exempt from what causes it through the use of social media. For creatives, the irony of their work providing so much happiness while they often struggle with mental health issues is not lost. While Summer’s fans are hoping she does not refrain from producing music in the future, she’s made it pretty clear she has no obligation to shrink her emotional boundaries to please anyone besides herself.
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