It is past time for female artists to have the same, or better recognition from awards organizations. But their acclaim should not come at the expense of another person’s pride.
In a previous article, I discussed the lack of solidarity in rap regarding the continuing fight for women who have yet to receive their seat at the table. Despite being equally, or better talented than their male counterparts, women who rap are consistently pitted against one another in a show of misogyny. Feeding into this beast, BET recently tweeted and deleted a post that they believed was shady enough to be well received. Instead, it serves as a stark reminder that for women, there is still a long way to go.
Learn from this.
It’s hard to believe that just six days ago, that inspirational clip of LaLa Milan went viral. Speaking at a panel for Power Star Live, the emerging comedienne said the following:
“Unfortunately, in our culture we automatically put each other against each other when we’re in the same industry. It’s horrible. You see it every day on social media — ‘Who wore it best?’ ‘Oh, she’s funnier.’ All that stuff like that, but, it’s like…What people don’t realize is when we can all come together as a collective, you automatically have magic.”
Well said! So, how did we go from understanding there is room for everyone to eat, back to the pits of starvation? In a word, misogyny.
Last night, Cardi B celebrated a career milestone only eight other women of rap share. She won a Grammy. Taking home the award for Best Rap Album, Cardi has cemented her place among the genre’s elites by becoming the first woman to win the award solo. Instead of merely congratulating Cardi on her monumental achievement, BET saw it as an opportunity to belittle Nicki Minaj, who has yet to receive the honor. As a network that hosts their own awards show for Hip Hop, you would think BET could do better than perpetuate a negative standard that plagues 37% of rap lyrics and effects every female artist in the game.
When it comes to what is considered an acceptable standard for women performers in any genre of music, one must admit the bar is set unrealistically high. The level of imagination and creativity that is expected from a female artist is beyond what is expected of men. Indeed, after seeing Travis Scott’s Super Bowl “performance”, you could say male artists are allowed a certain celebration of mediocrity. Still, they are more heavily awarded and more easily accepted in the genre that now stands on a foundation of misogyny/misogynoir.
Let It Go.
The longstanding tradition of pitting female artists against one another for drama or ‘catfights’ is dated and should have been put to rest long ago. Women who have made it to that tier of status within the entertainment industry have made it clear that they are queens in their own right. Their successess and shortcomings need not be weighed against one another unless it is for comparison within their own career. And to attach Nicki Minaj to Cardi’s win as an insult was unnecessarily tacky.
In the words of LaLa Milan, “If you’re as hungry as me and you stop trying to starve those around you, we can all eat.” There is room for everyone.
In The Middle: Of A ‘Black Parade’
12 Year-Old Keedron Bryant Signed to Warner Records
“OOHHH THANK YA” is all Keedron Bryant had to say on social media when news finally came out that he had signed a record deal with Warner Records.
Amidst all the difficult news we’ve been facing these past few weeks, we wanted to give you something to smile about. You might remember Keedron Bryant, the 12-year-old boy who went viral after posting a video of himself singing “I Just Wanna Live,” a song written by his mother that tells of being Black in America and just wanting to live.
Keedron’s performance was noticed by everyone from former president Barack Obama, who referred to him and posted the performance in a statement on the murder of George Floyd, to comedian Ellen Degeneres, who closed her show with his full video.
Just when we thought this story couldn’t give us any more feels, it was announced that Keedron was officially signed to Warner Records and his viral hit would be released on all platforms Friday, June 19, otherwise known as Juneteenth, a day marking the end of slavery in America.
Congratulations are definitely in order for Keedron Bryant.
Netflix CEO Donates $120 Million to HBCU’s
Netflix CEO, Reed Hastings, along with his wife, Patty Quillin, are donating $120 million dollars in total to Morehouse College, Spelman College, and the United Negro College Fund. The $120 million will go towards scholarships for the students. Each college will get $40 million.
According to the United Negro College Fund, this is the largest single donation by individuals.
In a statement Hastings and Quillin said, “We’ve supported these three extraordinary institutions for the last few years because we believe that investing in the education of black youth is one of the best ways to invest in America’s future.”
This isn’t Hastings’ and Quillin’s first time donating to HBCU’s and minority education. In 1997, the two began supporting the KIPP charter school network which helps black and latino students. In 2016, Hastings created a $100 million dollar education fund for black and latino scholarships.
“HBCUs have a tremendous record, yet are disadvantaged when it comes to giving. Generally, white capital flows to predominantly white institutions, perpetuating capital isolation. We hope this additional $120 million donation will help more black students follow their dreams and also encourage more people to support these institutions — helping to reverse generations of inequity in our country,” says Hastings and Quillin.
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